One of a Kind

Price: $60,000
Dimensions:
72"H x 96"W x 27"D
Weight: 310 lbs.

Late in 1994, an underground cavern was uncovered in Southeastern France.  It contained one of the most exciting discoveries of modern times:  an untouched Stone Age sanctuary of skeletons, footprints and walls covered with over 300 extraordinary drawings and engravings of animals.  These staggeringly sophisticated images are radio carbon dated to be the oldest known paintings in the world, over 30,000 years old - overturning our notions of the development of art in the history of mankind.  These paintings are particularly impressive in terms of techniques used to present perspective and motion.  All are powerful in execution, and coupled with their environment -- dangerous, dark, difficult to reach caves that could only be illuminated with torches -- suggest strongly that their purpose was of the most serious spiritual order.

 "In the beginning of all things, wisdom and knowledge were with the animals, for Tirawa, the One Above, did not speak directly to man.  He sent certain animals to tell men that he showed himself through the beasts, and that from them, and the stars, sun and moon, should man learn..." Eagle Chief (Pawnee, late 1800s).

 We can't know for certain what significance these animal images held for Ice Age mankind, but there are clues;  their placement in inaccessible caves, care in execution -- drawing from attitudes and mythologies of indigenous tribes who live closely to nature as did these Paleolithic people and from whom we can glean some understandings.  But I believe the images speak to us in yet another way that goes beyond the conscious attempts to decipher their meanings.  It is a gut consciousness . . . and the memory still lingers.  Like peripheral vision, it requires an intuitive approach lest it be lost in too direct scrutiny.

    I have always had a particular interest in the power of ancient artifacts and what the mysteries are that they show us of our ancestors, and so have been drawn to recreating them in my sculpture.  I find that doing these bring me a deeper understanding of what is they can tell us.

   With this body of work, I wanted to expand on the series I began years ago of sculpturally recreating ancient drawings, paintings and petroglyphs.  These works include artifact influences from cultures worldwide and from different periods of time, because they show how pervasive and consistent this practice was from all corners of the globe. 

These animals taken from a variety of historical artifacts, are sculpted to reference their origin, but to have them to appear to be coming alive, animated from the dormant stance they have been in for centuries….answering a kind of summoning.  Hearing the call from the shaman, they are beginning to move.

Photo credit Underexposed

Edition of 35
Price: $7,000
Dimensions:
28"H x 21"W x 12"D
Weight: 67 lbs.

 In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

Most of the animal forms painted on cave walls during the Ice Age are believed to be iconographic, with mythological implications.  Once in a while, however, an image will appear that is so powerful it would seem to represent a force of nature, and at the same time is rendered with such personality that it might also be the portrait of an individual.

Photo credit Underexposed

Photo Credit Underexposed

    I have always had a particular interest in the power of ancient artifacts and what the mysteries are that they show us of our ancestors, and so have been drawn to recreating them in my sculpture.  I find that doing these bring me a deeper understanding of what is they can tell us.

   With this body of work, I wanted to expand on the series I began years ago of sculpturally recreating ancient drawings, paintings and petroglyphs.  These works include artifact influences from cultures worldwide and from different periods of time, because they show how pervasive and consistent this practice was from all corners of the globe. 

These animals taken from a variety of historical artifacts, are sculpted to reference their origin, but to have them to appear to be coming alive, animated from the dormant stance they have been in for centuries….answering a kind of summoning.  Hearing the call from the shaman, they are beginning to move.


Photo credit Underexposed

    I have always had a particular interest in the power of ancient artifacts and what the mysteries are that they show us of our ancestors, and so have been drawn to recreating them in my sculpture.  I find that doing these bring me a deeper understanding of what is they can tell us.

   With this body of work, I wanted to expand on the series I began years ago of sculpturally recreating ancient drawings, paintings and petroglyphs.  These works include artifact influences from cultures worldwide and from different periods of time, because they show how pervasive and consistent this practice was from all corners of the globe. 

  These animals taken from a variety of historical artifacts, are sculpted to reference their origin, but to have them to appear to be coming alive, animated from the dormant stance they have been in for centuries….answering a kind of summoning.  Hearing the call from the shaman, they are beginning to move.

Photo credit Underexposed

Edition of 50
Price: $650
Dimensions:
3.5"H x 2.5"W x 1.25"D
Weight: 1 lbs.


For a long time Star has been intrigued by Indian rock art - images pecked or painted on cliff and cave walls by Native Americans.  For her they not only represent a unique cultural and artistic heritage, they signify "the first time in man's development that he applied a forward-looking imagination, and attempted to speak beyond the present, to the future."

It was while hiking among the desert plateaus of western New Mexico with a former minister on the Laguna Pueblo who wanted to show her one of his "power spots" that Star first encountered the image that inspired "Ancient Echo".  After trudging for several hours along desert sheep trails and scaling a steep talus slope, she found herself standing in an enormous amphitheater adorned with a variety of petroglyphs and pictographs.  Dominating all the images was the immense drawing of what appeared to be a deer-in-velvet.  Star was struck by the sophistication of the design, which was impressively rendered with style and subtlety.  Because these "pictures of antiquity" cannot be exhibited in museums or galleries except in reproduction, and because Star felt that by adding select interpretive touches and giving the image a physical reality she could give this mysterious creature a new incarnation, extending its power and presence.  It became the model for her next sculpture.

Like the artist before her, she did not strive for an ideal likeness of her subject. The exchange of weight in the legs has been emphasized to accent body movement, the mouth has been opened wider to make it seem as if the beast were bellowing, and the eyes are hollowed to appear skull-like, giving the entire head a primal set, a ghostliness.  As well, the rough surface texture of the cave wall is retained in the animal's coat which, juxtaposed to the simple lines and economical shape of the overall composition, present elements that often define contemporary art.  While capturing the animal's spirit, Star has given the sculpture a timelessness, making it a very ancient piece or very modern one, depending on which way you look at it.

This sculpture has been produced at many sizes, from monumental to mini. This one is in a miniature size.

Edition of 35
Price: $6,600
Dimensions:
30"H x 20.25"W x 7"D
Weight: 37 lbs.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

One of the main characters found in Paleolithic "picture caves" are wooly ponies - grouped in ways that seem to have a special mystical function, and rendered with a fluency and grace of line that make them as alive as their counterparts in the light-world.

Photo credit Wendy McEahern

Edition of 25
Price: $35,000
Dimensions:
56.5"H x 60"W x 26"D
Weight: 280 lbs.


There is a timeless quality to much rock art that comes, in part, from the aesthetic sensibilities that created it.  Many of the designs have a sophisticated sense of style and subtlety.  Even with their archaic means and simplicity the often have a look that is modern yet primitive . . . and seems to emit an echo that resounds in our subconscious. 

The ice age of Lascaux, Font-de-Gaume and Altamira comprises some of the oldest and most beautiful sketched imagery in human history.  European authorities at first refused to believe that “primitive hands” could have rendered such artistry.  What impresses me most is the reverence for the animals that comes through these renderings.   These Rock Art sculptures are a tribute to those hands in three-dimension.

Photo taken at Star York's "Rancho Verde" ranch.

The ice age of Lascaux, Font-de-Gaume and Altamira comprises some of the oldest and most beautiful sketched imagery in human history. European authorities at first refused to believe that “primitive hands” could have rendered such artistry. What impresses me most is the reverence for the animals that comes through these renderings.   These Rock Art sculptures are a tribute to those hands in three-dimension.

Left to right: Itch (II), Prance, Roll (IV), and Sassy (sm)

Edition of 50
Set of Four Price: $4,500
Individual: $1,200 each
Dimensions vary by sculpture:
5"H x 6"W x 2.5"D
Weight: 1.5 lb. each

Photo Credit Underexposed

The "Mares at Play" series is of Rock Art inspired ponies that reflect the playful possibilities as if these equines materialized off their rock walls into three dimensions.  They relate to one another in delightful expressive reactions. 

Edition of 50
Price: $900
Dimensions:
3.75"H x 4.5"W x 1.5"D
Weight: .5 lbs.

Part of the Rock Art Minis set, picture previous

The "Mares at Play" series is of Rock Art inspired ponies that reflect the playful possibilities as if these equines materialized off their rock walls into three dimensions. They relate to one another in delightful expressive reactions. 

Photo credit Wendy McEahern

Artist may reproduce as needed for self promotional purposes. Any third party use by photographers permission only. Photo credit: © 2008 Wendy McEahern Photography must accompany all use.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

One of the main characters found in Paleolithic "picture caves" are wooly ponies - grouped in ways that seem to have a special mystical function, and rendered with a fluency and grace of line that make them as alive as their counterparts in the light-world.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

One of the main characters found in Paleolithic "picture caves" are wooly ponies - grouped in ways that seem to have a special mystical function, and rendered with a fluency and grace of line that make them as alive as their counterparts in the light-world.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

One of the main characters found in Paleolithic "picture caves" are wooly ponies - grouped in ways that seem to have a special mystical function, and rendered with a fluency and grace of line that make them as alive as their counterparts in the light-world.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

One of the main characters found in Paleolithic "picture caves" are wooly ponies - grouped in ways that seem to have a special mystical function, and rendered with a fluency and grace of line that make them as alive as their counterparts in the light-world.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

One of the main characters found in Paleolithic "picture caves" are wooly ponies - grouped in ways that seem to have a special mystical function, and rendered with a fluency and grace of line that make them as alive as their counterparts in the light-world.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

One of the main characters found in Paleolithic "picture caves" are wooly ponies - grouped in ways that seem to have a special mystical function, and rendered with a fluency and grace of line that make them as alive as their counterparts in the light-world.

    I have always had a particular interest in the power of ancient artifacts and what the mysteries are that they show us of our ancestors, and so have been drawn to recreating them in my sculpture.  I find that doing these bring me a deeper understanding of what is they can tell us.

   With this body of work, I wanted to expand on the series I began years ago of sculpturally recreating ancient drawings, paintings and petroglyphs.  These works include artifact influences from cultures worldwide and from different periods of time, because they show how pervasive and consistent this practice was from all corners of the globe. 

These animals taken from a variety of historical artifacts, are sculpted to reference their origin, but to have them to appear to be coming alive, animated from the dormant stance they have been in for centuries….answering a kind of summoning.  Hearing the call from the shaman, they are beginning to move.


Photo credit Underexposed

Edition of 35
Price: $5,000
Dimensions:
18"H x 19"W x 8"D
Weight: 35 lbs.

PLEASE ASK ABOUT AVAILABILITY 

Most of the animal forms painted on cave walls during the Ice Age are believed to be iconographic, with mythological implications.  Once in a while, however, an image will appear that is so powerful it would seem to represent a force of nature, and at the same time is rendered with such personality that it might also be the portrait of an individual.

Photo credit Wendy McEahern

Edition of 35
Price: $4,600
Dimensions:
17"H x 18"W x 7"D
Weight: 15 lbs.

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens from Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases its significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit by Wendy McEahern

Edition of 35
Price: $4,600
Dimensions:
17"H x 18"W x 7"D
Weight: 21 lbs.

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Edition of 35
Price: $3,200
Dimensions:
13"H x 10.5"W x 3.5"D
Weight: 10 lbs.

I have had the good fortune to experience seeing some ancient cave paintings by firelight, so have witnessed how the dancing light appears to male the images move . . . so that you can almost hear the sound of hoof beats.

Photo credit Wendy McEahern

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind. They are found virtually on every continent. Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

Most of the animal forms painted on cave walls during the Ice Age are believed to be iconographic, with mythological implications. Once in a while, however, an image will appear that is so powerful it would seem to represent a force of nature, and at the same time is rendered with such personality that it might also be the portrait of an individual.

Edition of 50
Price: $2,000
Dimensions:
10"H x 13"W x 4"D
Weight: 5 lbs.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

Most of the animal forms painted on cave walls during the Ice Age are believed to be iconographic, with mythological implications.  Once in a while, however, an image will appear that is so powerful it would seem to represent a force of nature, and at the same time is rendered with such personality that it might also be the portrait of an individual.

Edition of 50
Price: $1,200
Dimensions:
7"H x 5.5"W x 2.5"D
Weight: 2 lbs.

Edition of 50
Price: $1,900
Dimensions:
10"H x 13"W x 4"D
Weight: 5 lbs.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

Most of the animal forms painted on cave walls during the Ice Age are believed to be iconographic, with mythological implications.  Once in a while, however, an image will appear that is so powerful it would seem to represent a force of nature, and at the same time is rendered with such personality that it might also be the portrait of an individual.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

One of the main characters found in Paleolithic "picture caves" are wooly ponies - grouped in ways that seem to have a special mystical function, and rendered with a fluency and grace of line that make them as alive as their counterparts in the light-world.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

One of the main characters found in Paleolithic "picture caves" are wooly ponies - grouped in ways that seem to have a special mystical function, and rendered with a fluency and grace of line that make them as alive as their counterparts in the light-world.

In rock graphics depicted by Stone Age Man we find a legacy, which belongs to all mankind.   They are found virtually on every continent.  Some experts believe the animal imagery was done as a way of establishing a supernatural connection with the game early man hunted for his survival.

One of the main characters found in Paleolithic "picture caves" are wooly ponies - grouped in ways that seem to have a special mystical function, and rendered with a fluency and grace of line that make them as alive as their counterparts in the light-world.

There is a timeless quality to much rock art that comes, in part, from the aesthetic sensibilities that created it. Many of the designs have a sophisticated sense of style and subtlety. Even with their archaic means and simplicity they often have a look that is modern yet primitive . . . and seems to emit an echo that resounds in our subconscious.
The ice age of Lascaux, Font-de-Gaume and Altamira comprises some of the oldest and most beautiful sketched imagery in human history. European authorities at first refused to believe that “primitive hands” could have rendered such artistry. What impresses me most is the reverence for the animals that comes through these renderings. These Rock Art sculptures are a tribute to those hands in three-dimensions.

Photo Credit Underexposed