Edition Size 35

Price 1800.00

Deminsions 6 x 4.25 x 3.75

Weight 4.5lbs

Photo credit: Underexposed

Bronze Ediiton size of 35

Price 6,900.00

Deminsions H 34in x W 15ins x D 15ins

Weight 62 lbs

Spiritual Liaisons

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it's unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it's significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it's maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

From the quote of Chief Letakots-Lesa, “in the beginning of all things, wisdom and knowledge were with the animals; for the one above, did not speak directly to man he sent certain animals to tell man that he showed himself through the beasts, and that from them, and from the stars and the sun and the moon, man should learn.” (Pawnee Tribe 1904).

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Price $ 2,500

Dimensions
H 13in x W 6in x D 5in

Weight 8.5 lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Bronze Edition of 35.

Price $ 4,800

Dimensions
H 19in x W 11in x D 11in

Weight
26 lb.

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Price $ 2,000

Dimensions
H 6.5in x W 5in x D 5.5in

Weight 6 lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

  H 8.5in x W 4in x D 4in

Bronze Edition of 35.

Price $ 1,800

Weight 5 lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Bronze Edition of 35.

Price $ 3000

Weight 11 lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Price $ 900

Dimensions
H 3in x W 7in x D 1.5in

Weight 1 lb

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Price $ 2,500

Dimensions
H 8in x W 9in x D 4in

Weight 6 lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Price $ 1,800

Dimensions
H 7in x W 7in x D2.5in

Weight 3lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit:Wendy McEaHern

Bronze Edition of 35.

Price $ 1,600

Dimensions
H 7in x W 7.25in x D 3in

Weight 3lbs 

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit:Wendy McEaHern

Bronze Edition of 35. Golden Patina

Price $ 1,800

Dimensions
H 6.5in x W 10.5in x D 3.25in

Weight 4lbs

From the quote of Chief Letakots-Lesa, “in the beginning of all things, wisdom and knowledge were with the animals; for the one above, did not speak directly to man he sent certain animals to tell man that he showed himself through the beasts, and that from them, and from the stars and the sun and the moon, man should learn.” (Pawnee Tribe 1904).

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Price $ 4,500.00

Dimensions
H 5.75 in x W 19.5 in x D1/4 in

Weight; 20lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such a s the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Bronze Edition of 50.

Pre-Cast:
$ 2,400.00 Opening Price at $ 2,700.00 ends Feb 11th 2021
Dimensions: H 7in x W 13.5in x D 12in
Weight: 11lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Bronze Edition of 35.

Price $ 6,500

Dimensions
H 15in x W 25in x D13in

Weight 40lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Bronze Edition of 35. Darker Patina

Price $ 3,800

Dimensions
H 20in x W 17in x D 11in

Weight 28lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Bronze Edition of 35. Golden Patina

Price $ 3,800

Dimensions
H 20in x W 17in x D 11in

Weight 28 lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Bronze Edition of 35. Golden Patina

Price $ 5,000.00

Dimensions
H 11.5in x W 34in x D 15in

Weight 35 lbs
 

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Bronze Edition of 35. Darker Patina

Price $ 5,000

Dimensions
H 11.5in x W 34in x D 15in

Weight 35 lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind.  The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind.  First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures.  When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics.  By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance.  The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy.  This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers.  As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker.  It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate.  It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Photo credit Wendy McEahern

Bronze Edition of 35 Darker Patina

Price $ 7,000

Dimensions
H 20in x W 23in x D 21in

Weight 60 lbs

The creation of fetishes, effigies, and talismans goes back to the earliest evidence of mankind. The compulsion to make aesthetic objects displays the creative spark that distinguished Homo sapiens form Neanderthals; it is a unique providence of the human mind. First expressed in stone carvings and cave wall paintings from the Paleolithic Period, it has continued throughout the centuries and across all cultures. When mankind is in tune with the natural environment, he is acutely aware of the strengths inherent in other species in order to learn useful survival skills . . . such as the bear for finding healing herbs, the coyote for clever prowess, the deer for evasive tactics. By creating their likeness, the recreation becomes the physical embodiment for the particular characteristic the animal symbolizes for the maker. And, as every creature has it’s unique qualities, so have other elements such as stone, feather and bone, which when added to the fetish increases it’s significance. The object then has become the recipient vessel of the energy given it, spiritual liaison for the bearer, containing the energy. This magic spark can then be called upon when needed, whether it be courage, fortitude, clarity in vision or healing powers. As an extension of this most primal understanding that goes back to the very roots of our being, I feel that all objects of art contain an energy endowed by it’s maker. It is this very mystery I wished to explore in this body of work, and encourage viewers to contemplate. It is partly influenced by those contemporary artists who have reminded me of these mysterious corners of my mind, but mostly by the ancients whose brilliance fascinates and inspires me above all, and on whose shoulders we all stand.

Artist may reproduce as needed for self promotional purposes. Any third party use with photograhers permission only.

All use must appear with photo credit: © 2007 Wendy McEahern Photography